Here's the full segment found on a tape from KWHY Channel 22 in Los Angeles, featuring the end of the movie "The Hills Have Eyes" on SelecTV followed by a promo for the movie "Blow-Up" and a station sign-off.
Not sure when this aired exactly - can anyone date it definitively?
Guess which movie I put in my Netflix queue after watching this. :-P Comment posted by Smctopia on Monday, October 4th 2010 at 8:30pm.
"Blow Up" is a good movie. I recorded this off of The Movie Channel back in 1989. Comment posted by Betamax75 on Monday, October 4th 2010 at 10:15pm.
I just watched "Blow-Up". It was a great film and terrific period piece. It lends itself to several good double features with films such as "The Conversation" (suspenseful films that deal with how we perceive things), "The Knack...and How to Get It" (Swingin', Mod London!) or Smashing Time" (Two films, two different Redgraves!) Comment posted by Smctopia on Friday, October 22nd 2010 at 8:53am.
I must admit, those are the most unusual color bars I've ever seen. Of course, I haven't seen any color bars since WPWR took over channel 50 back in 1987. Comment posted by OldTVNut on Friday, August 10th 2012 at 1:49pm.
That was an 11-step 180-degree burst pattern. Comment posted by W.B. on Saturday, August 11th 2012 at 9:38am.
Not to be confused with a 12-step program. Comment posted by T.K. on Saturday, August 11th 2012 at 2:29pm.
Just found out today that Blow-Up will air on TCM late Saturday June 21/early Sunday June 22 at midnight ET (11 pm CT).
(Corrects earlier information after having checked the on-screen and web guides as of today, June 19, 2014.) Comment posted by VintageCanada on Wednesday, April 30th 2014 at 11:20am.
Worth seeing just for the rare footage of The Yardbirds when both Jeff Beck and Jimmy Page were in the band...the song Stroll On is a rework of Train Kept A Rollin. Comment posted by Jack Demus on Friday, May 2nd 2014 at 4:05am.
Reminder for those who have Turner Classic: Blow-Up airs late Saturday night/early Sunday morning at midnight ET/11 pm CT. Comment posted by VintageCanada on Friday, June 20th 2014 at 6:17pm.
Ok, who here watched Blow-Up for the first time this weekend when Turner aired it? Did you like it? :-) Comment posted by Smctopia on Monday, June 23rd 2014 at 8:10pm.
I have it recorded and will find some time to watch it. Comment posted by VintageCanada on Wednesday, June 25th 2014 at 2:10pm.
Just got one Sarah Miles film in the books. It isn't Blow-Up yet, but I still have the DVD. (The film I did complete tonight features brief appearances by James Stewart.) Comment posted by VintageCanada on Sunday, August 24th 2014 at 9:25pm.
I got Blow-Up watched last Thursday. Great film. David Hemmings was outstanding, as was Vanessa Redgrave and Sarah Miles, and pretty much the entire cast. A very artful masterpiece.
And for the record, the other Sarah Miles movie I watched earlier this summer was the 1978 version of the Big Sleep with Robert Mitchum and James Stewart.
Oh, I do have The Night of the Hunter from 1955 on DVD starring Mitchum and Lillian Gish, but have yet to watch it. Comment posted by VintageCanada on Wednesday, September 10th 2014 at 5:51pm.
You must be logged into the forums to add comments.
This clip has been viewed 2964 times. This clip debuted on FuzzyMemories.TV on Monday, October 4th 2010.
http://factually.gizmodo.com/the-first-audiobooks-were-invented-for-blind-americans-1620940467 It seems like two librarians talking about books on tape and books on record albums with adaptive devices such as a record turntable with a pause button and a pitch or speed control on the audio cassette tape player.
I was wondering exactly what telecine equipment was used to make this transfer. Because certainly it appears a bit better than it would have "back then" via WGN's film chain setup which at that point would have included RCA TK-27's.
GHilbrich - Good observations. To answer your question, we did the transfer ourselves, direct from the original film reel. Everything you see, including the dissolve between the ID and the GG opening, was as it appears on the reel.
I agree with your reasoning. Perhaps we'd have a better idea where this came from if we can get any more information out of the original seller on Ebay. For example, I'd like to know how long this reel was in his possession, and where he got it from (was it an estate sale / private collection, or something else?)
I do not believe that this was done for any other reason than someone taking home a souvenir of sorts. I think what you have here is one of (and maybe now the only) original, station used 16mm reels with the WGN Color Presentation and Garfield Goose intro that would have run any given morning before moving into the video feed with Frazier. Perhaps someone who worked at WGN got a hold of the materials here when the station was unloading reels into a dumpster and adding one of the full 5 part Clutch serials for continuity.
This is just a guess, of course. But judging from the flow of the 16mm print, it's probably the best bet (the Clutch episodes are spliced pretty tightly together without any leader, countdowns or "Place Commercial Here" slugs).
Maybe the person responsible for getting this reel out of WGN is or will read this and chime in.
I have to ask, Fuzzy, did you add the dissolve between the Color Presentation and GG titles? Do you have the actual reel or was it transferred and sent to you this way?
From what I have read in various message boards, including THE source for wrestling's past, kayfabememories.com , this sounded like a non-taped/broadcast house show to promote the big card at Comiskey Park in September; Robinson actually DID NOT win the title because Gagne's foot was on the rope when he was pinned. So, the belt was held up until the September card at Comiskey Park.
(Edited to correct date of the Amphitheater card.)
I'm thinking it was the film roll in for the show. I wonder if the original 16mm film had a splice between the Garfield Goose intro and the Clutch Cargo cartoons. If so... it may have been the telecine film run during the show. There is also a dissolve between the WGN Color intro and the show open. Film dissolves needed to be done optically, so I expected the one to end in black and the next to start from black.